CEEGS 2024 Program<\/title>\r\n <style>\r\n body {\r\n background-color: #f4f4f4;\r\n color: #333;\r\n font-family: Arial, sans-serif;\r\n }\r\n h1 {\t\r\n text-align: center;\r\n font-size: 24px;\r\n margin-top: 20px;\r\n font-weight: bold;\r\n }\r\n .tabs {\r\n display: flex;\r\n justify-content: center;\r\n margin-bottom: 20px;\r\n border-bottom: 2px solid #ddd;\r\n }\r\n .tab {\r\n padding: 10px 20px;\r\n border: 1px solid #ddd;\r\n cursor: pointer;\r\n flex: 1;\r\n text-align: center;\r\n }\r\n .tab.active {\r\n \/\/background-color: #4CAF50;\r\n \/\/color: white;\r\n \/\/border-bottom: 2px solid #4CAF50;\r\n }\r\n .tab:hover {\r\n background-color: #ddd;\r\n }\r\n .tab-content {\r\n display: none;\r\n margin: 0 auto;\r\n width: 90%;\r\n }\r\n table {\r\n width: 100%;\r\n border-collapse: collapse;\r\n margin-bottom: 20px;\r\n }\r\n th, td {\r\n padding: 10px;\r\n border: 1px solid #ddd;\r\n text-align: left;\r\n }\r\n th {\r\n background-color: #4CAF50;\r\n color: white;\r\n }\r\n tr:nth-child(even) {\r\n background-color: #f2f2f2;\r\n }\r\n tr:nth-child(odd) {\r\n background-color: #ffffff;\r\n }\r\n .session {\r\n margin-bottom: 20px;\r\n }\r\n .session-title {\r\n font-size: 18px;\r\n font-weight: bold;\r\n margin-bottom: 10px;\r\n }\r\n #program-note {\r\n font-size: 16px;\r\n text-align: center;\r\n margin-top: 20px;\r\n }\r\n #program-section {\r\n display: flex;\r\n flex-direction: column;\r\n align-items: center;\r\n margin: 20px auto;\r\n max-width: 600px;\r\n text-align: center;\r\n }\r\n #program-note {\r\n font-size: 16px;\r\n margin-bottom: 20px;\r\n }\r\n button {\r\n padding: 10px 20px;\r\n background-color: #8f5d76;\r\n color: white;\r\n font-size: 14px;\r\n border: none;\r\n border-radius: 10px;\r\n cursor: pointer;\r\n transition: transform 0.2s, box-shadow 0.2s;\r\n box-shadow: 0 4px 10px rgba(0, 0, 0, 0.2);\r\n }\r\n button:hover {\r\n transform: scale(1.05);\r\n box-shadow: 0 6px 15px rgba(0, 0, 0, 0.3);\r\n }\r\n <\/style>\r\n<\/head>\r\n<body>\r\n\r\n<h1>CEEGS 2024 Program<\/h1>\r\n\r\n <div id=\"program-section\">\r\n <p id=\"program-note\">CEEGS2024 isn\u2019t just about the event\u2014it\u2019s your chance to dive into the city\u2019s vibe, meet the locals, and soak up some history. The suggestions will be totally optional, but guaranteed to add a little extra fun to your adventure!<\/p>\r\n \r\n <a href=\"https:\/\/ceegs2024.uop.gr\/ceegs2024\/wp-content\/uploads\/2024\/10\/CEEGSprogramWeb.pdf\" target=\"_blank\" rel=\"noopener\">\r\n <button>\ud83c\udfae Download Program (PDF)<\/button>\r\n <\/a>\r\n <\/div>\r\n\r\n\r\n <div class=\"tabs\">\r\n <div class=\"tab active\" onclick=\"showTab('oct10')\">October 10<\/div>\r\n <div class=\"tab\" onclick=\"showTab('oct11')\">October 11<\/div>\r\n <div class=\"tab\" onclick=\"showTab('oct12')\">October 12<\/div>\r\n <\/div>\r\n <div id=\"oct10\" class=\"tab-content\">\r\n <h2>October 10 (Thursday)<\/h2>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Schedule<\/div>\r\n <table>\r\n <tr>\r\n <td>09:00 – 09:30 Registration<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>09:30 – 10:00 Welcoming Remarks<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>10:00 – 11:00 Keynote by Danielle Brathwaite-Shirley: We Can Only Do This Together<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>11:00 – 11:30 Coffee Break<\/td>\r\n <\/tr>\r\n <\/table>\r\n <\/div>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Session 1 (11:30 – 13:00)<\/div>\r\n <table>\r\n <tr>\r\n <th>Panel 1 (Games and Performance I)<br>Chair: Renard Gluzman<\/th>\r\n <th>Panel 2 (Games and Art)<br>Chair: Daniel Vella<\/th>\r\n <th>Panel 3 (Games in Broad Social Contexts)<br>Chair: Stanis\u0142aw Krawczyk<\/th>\r\n <\/tr>\r\n <tr>\r\n <td>Olli Tapio Leino<br>An Existential-Phenomenology of Gameplay (as) Performance<\/td>\r\n <td>Jaroslav \u0160velch<br>Making a Commercial Art Game in the 1980s: A Production History of Mel Croucher\u2019s Deus Ex Machina<\/td>\r\n <td>Rainforest Scully-Blaker<br>Games, Capitalism, and Fear<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Anastasios Theodoropoulos, Elina Roinioti, Panagiotis Papadopoulos, George Lepouras<br>Prometheus Unbound: Embodied Gaming in a VR Cave Environment<\/td>\r\n <td>Agata Zarzycka<br>The Art of Trash in Cyberpunk 2077<\/td>\r\n <td>Micha\u0142 K\u0142osi\u0144ski<br>Problematizing Positive Biopolitics in Digital Games<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Zs\u00f3fia Orosz-R\u00e9ti<br>Motherhood in Motion: Play, Performativity, and Aesthetics in Monument Valley 2<\/td>\r\n <td>Joanna Pigulak<br>Empowering Gamers with Hearing Disabilities: The Artistic and Immersive Potential of Accessibility Options<\/td>\r\n <td>Gabriela \u0160tvrt\u0148ov\u00e1, Filip Hauer<br>Non-Domination Power and Player Agency in Ecogames: Conceptualizing Democratic Agency<\/td>\r\n <\/tr>\r\n <\/table>\r\n <\/div>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Lunch Break (13:00 – 14:00)<\/div>\r\n <\/div>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Session 2 (14:00 – 16:00)<\/div>\r\n <table>\r\n <tr>\r\n <th>Panel 4 (Game Industries)<br>Chair: Jaroslav \u0160velch<\/th>\r\n <th>Panel 5 (Games and Performance II)<br>Chair: Pawe\u0142 Kaczmarski<\/th>\r\n <th>Panel 6 (Games and Play)<br>Chair: Nele Van de Mosselaer<\/th>\r\n <\/tr>\r\n <tr>\r\n <td>Jan Hou\u0161ka<br>Language Diversity in the Work of Foreigners in Czech Game Studios<\/td>\r\n <td>Romi Sofia Abatangelo<br>The Participant as Performing Audience<\/td>\r\n <td>Mikaela Simitzi, Angeliki Chrysanthi<br>An Immersive Playful \u201cCabinet of Curiosities\u201d<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>JJesper Juul, Emil Emil Lundedal Hammar<br>Forever in the Middle? A Study of the Danish Game\r\n Industry<\/td>\r\n <td>Alison J. Croasdale<br>Games and the Performance of Multi-Layered Identities<\/td>\r\n <td>Eleana Pandia<br>\u201cI Can See It in Their Eyes\u201d: Affective Design in Gameplay<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Agnieszka Kli\u015b-Brodowska<br>Reading Paratextuality: The Paratexts of Child of Light<\/td>\r\n <td>Chrissa Papasarantou, Charalampos Rizopoulos<br>Embodied Representations in Games<\/td>\r\n <td>Espen Aarseth<br>The Long Game: From Gamer Hermeneutics to Game Hermeneutics<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Micha\u0142 Mr\u00f3z<br>Exploring Immersion in Video Game Modding: On Modders\u2019 Strategies for Crafting Immersive Experiences<\/td>\r\n <td>Adrienne Domasin<br>Playfully Perilous: Permadeath Streams of \u201cThe Last of Us: Part II\u201d as a Dynamic Playground<\/td>\r\n <td>Ma\u0142gorzata Majkowska, Tomasz Z. Majkowski<br>Mnemosyne Learns To Play: Game Controllers as Rhapsodic Tools<\/td>\r\n <\/tr>\r\n <\/table>\r\n <\/div>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Coffee Break (16:00 – 16:30)<\/div>\r\n <\/div>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Session 3 (16:30 – 18:00)<\/div>\r\n <table>\r\n <tr>\r\n <th>Panel 7 (Esports and Streaming)<br>Chair: Katerina El Raheb<\/th>\r\n <th>Panel 8 (Game Spaces)<br>Chair: Charalampos Rizopoulos<\/th>\r\n <th>Panel 9 (Folklore and Heritage)<br>Chair: Holger P\u00f6tzsch<\/th>\r\n <\/tr>\r\n <tr>\r\n <td>Tom Legierse<br>Deconstructing the Idealized Body in Esports<\/td>\r\n <td>Krzysztof M. Maj<br>Navigating Allotopia, Exploring Ludotopia<\/td>\r\n <td>Aleksandra Prokopek<br>The Game of Art: Avant-Garde Reimagination of Chess<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Matilda St\u00e5hl, Usva Friman<br>Performing Esports at Women\u2019s Nordic CS 2 Championship Tournament 2023<\/td>\r\n <td>Agata Waszkiewicz<br>Video Game Graffiti, Civil Disobedience, and Player Agency<\/td>\r\n <td>Carol Ditner-Wilson<br>\u201cMaid of Sker\u201d and the Folklore of Wales<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Renard Gluzman<br>A Documentary Filmmaking Exploration of Players\u2019 Performative Culture<\/td>\r\n <td>Bruno de Paula<br>Easier, but Not as Fun: Abstractions in Skate Videogames<\/td>\r\n <td>Lucia Rago<br>Re-Mythologizing Pok\u00e9mon: The Case of Snorlax<\/td>\r\n <\/tr>\r\n <\/table>\r\n <\/div>\r\n <\/div>\r\n <div id=\"oct11\" class=\"tab-content\">\r\n <h2>October 11 (Friday)<\/h2>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Session 4 (09:00 – 11:00)<\/div>\r\n <table>\r\n <tr>\r\n <th>Panel 10 (Video Game History)<br>Chair: Iro Voulgari<\/th>\r\n <th>Panel 11 (Games and Theater)<br>Chair: Tomasz Majkowski<\/th>\r\n <th>Panel 12 (Gender and Gaming)<br>Chair: Agata Waszkiewicz<\/th>\r\n <\/tr>\r\n <tr>\r\n <td>Aristoteles Georgios Sakellariou, Georgios Papaioannou<br>Meeting Mona Lisas in Museums in Popular Videogames<\/td>\r\n <td>Pawe\u0142 Kaczmarski<br>Not as Open as It Seems: Or, Games against Theatricality<\/td>\r\n <td>Tereza Fousek Krobov\u00e1<br>No Game for Old (Wo)men: Playing Video Games as a Comfort Strategy for Female Older Adults in Czechia<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Jesper Juul<br>IT\u2019S NOT JUST A PLATFORM GAME, IT\u2019S AN ADVENTURE: The European Invention of the Action-Adventure Game 1983-1990<\/td>\r\n <td>Rebecca Rouse, Lars Kristensen<br>Playing across Stage and Screen: Interdisciplinary Contributions from Theater for Game Education<\/td>\r\n <td>Torill E Mortensen<br>Playing with Needles: Playful Participation in Online Communities<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Eryk Fro\u0144<br>Horror in Pixels: How Ugly Games Generate Fear<\/td>\r\n <td>Sarah Lynne Bowman<br>Simulating Passion: Design Strategies for Intimate Relationships in Romantic Larps<\/td>\r\n <td>Kalle Laakso, Riikka Aurava<br>The Influence of Game Live Streaming in the Game Culture Participation of Girls<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Mateusz Felczak<br>Aesthetics of Automation: \u201cHalls of Torment\u201d and Bullet Heaven Games<\/td>\r\n <td>Yu Hao<br>Performing the Mundane: Theatrical Dimensions of Everyday Life in \u201cThe Sims 4\u201d<\/td>\r\n <td>Yihang Yan, Felania Liu, Espen Aarseth<br>Players Against Academia: Identity Politics and Media Power in Chinese Gaming Discourse on Social Platforms<\/td>\r\n <\/tr>\r\n <\/table>\r\n <\/div>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Coffee Break (11:00 – 11:30)<\/div>\r\n <\/div>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Keynote (11:30 – 12:30)<\/div>\r\n <table>\r\n <tr>\r\n <td>Keynote by Jonas Kyratzes: Taking the Idea of Games as Art Seriously.<\/td>\r\n <\/tr>\r\n <\/table>\r\n <\/div>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Lunch Break (12:30 – 13:30)<\/div>\r\n <\/div>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Session 5 (13:30 – 15:30)<\/div>\r\n <table>\r\n <tr>\r\n <th>Panel 13 (Roleplaying Games)<br>Chair: Kristian A. Bj\u00f8rkelo<\/th>\r\n <th>Panel 14 (Game Adaptations and Remediations)<br>Chair: Magdalena Kozyra<\/th>\r\n <th>Panel 15 (Approaches to Game Design)<br>Chair: Anastasios Theodoropoulos<\/th>\r\n <\/tr>\r\n <tr>\r\n <td>Kjell Hedgard Hugaas, Sarah Lynne Bowman<br>Envisioning Role-playing Games as Vehicles for Galvanizing Conflict Transformation<\/td>\r\n <td>Aleksandra Kl\u0119czar<br>Looks Greek to Me (or Does It?): The Imagery of Mythology-Centred Games and Ancient Greek art<\/td>\r\n <td>Charis Kotsiopoulos, Christos Tryfonopoulos<br>DinoAI: An Interactive Self-Playing Retro Game\/Display for Exploring Machine Learning Concepts<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Leonid Moyzhes<br>Are We Monsters? Comparison of Representation of Monstrosity between \u201cVampire the Masquerade\u201d Fourth and Fifth Editions<\/td>\r\n <td>Vit \u0160isler<br>Reimagining Kafka’s Worlds Through the Interactive Lens: The Design Process and Challenges of Playing Kafka<\/td>\r\n <td>Alison J. Croasdale, Bruno de Paula<br>Expressive Design: Exploring Creative Process and Critical Thought in Non-Professional Game Making<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Micha\u0142 Mochocki<br>Polish Romanticism Revisited in \u201cEpopeja\u201d: From Literary Classics to Tabletop RPG<\/td>\r\n <td>Krzysztof Olszamowski<br>Herald of Hyperrealism: Remediation and Spaces of Metagames in \u201cAlan Wake 2\u201d<\/td>\r\n <td>Essi Taino, Kalle Laakso, Taina My\u00f6h\u00e4nen<br>Digital Game Culture Sustainability and Inclusivity through Co-Design<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Daniel Vella, Justyna Janik<br>Textures of Dwelling and Cozy Enclaves: The Camp in \u201cBaldur\u2019s Gate III\u201d as Site of Control and Pleasure<\/td>\r\n <td>Aleksandra Mochocka, Rados\u0142aw Piotr Walczak<br>Video game adaptation strategies as interpretation: \u201cSnufkin: Melody of Moominvalley\u201d (Hyper Games, 2024)<\/td>\r\n <td>Taina My\u00f6h\u00e4nen<br>From Toxic to Ethic: DEI Activism in the Game Industry<\/td>\r\n <\/tr>\r\n <\/table>\r\n <\/div>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Coffee Break (15:30 – 16:00)<\/div>\r\n <\/div>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Session 6 (16:00 – 18:00)<\/div>\r\n <table>\r\n <tr>\r\n <th>Panel 16 (Non-Typical Gameplay)<br>Chair: Jesper Juul<\/th>\r\n <th>Panel 17 (Video Game Interpretations)<br>Chair: Zs\u00f3fia Orosz-R\u00e9ti<\/th>\r\n <th>Panel 18 (Advertising, Marketing, and Money)<br>Chair: Agata Waszkiewicz<\/th>\r\n <\/tr>\r\n <tr>\r\n <td>Nele Van de Mosselaer<br>The Art of Cheesing<\/td>\r\n <td>Mark Maletska<br>Playing with Society, Identity and Trauma: Video Games by etherane<\/td>\r\n <td>Kati Alha<br>How Mobile Game Advertising Landscape Became So Horrible \u2013 and What Is Being Done with It<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Magdalena Kozyra, Tomasz Z. Majkowski, Aleksandra Prokopek<br>Not Everything Everywhere is for Gamers: \u201cThe Invincible\u201d and the Art of Failure<\/td>\r\n <td>Robin O. Longobardi Zingarelli<br>Bio-Determined Immateriality: Trans Bodies in Mainstream Video Games<\/td>\r\n <td>Leon Y. Xiao<br>Illegal Loot Box Advertising on Social Media: An Empirical Study Using the Meta and TikTok ad Transparency Repositories<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Zach Cohen<br>Efficient Machines of Anti-Profit: Going Against the Flow with \u201cThe Games Inscryption\u201d and \u201cTo Build a Better Mousetrap\u201d<\/td>\r\n <td>Ond\u0159ej Trho\u0148<br>\u201cArmored Core VI\u201d as an Allegory of (Cybernetic) Embodiment<\/td>\r\n <td>Magdalena Bednorz<br>P(l)ay for Love: Strategies of Capitalizing on Romance Literacy in PlayMe Studio\u2019s \u201cMeChat\u201d<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Dom Ford<br>What Went wrong with \u201cCities: Skylines II\u201d, according to Players: A Qualitative Analysis of Player Perceptions of a Poor Digital Game Launch<\/td>\r\n <td>Daniel Vella<br>Playing the Angry Alien: Orientation and Ludic Subjectivity in \u201cBaldurs Gate III\u201d<\/td>\r\n <td><\/td>\r\n <\/tr>\r\n <\/table>\r\n <\/div>\r\n <div class=\"session\">\r\n <div class=\"session-title\">CEEGS Round Table (18:00 – 18:45)<\/div>\r\n <\/div>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Official Dinner (20:00)<\/div>\r\n <table>\r\n <tr>\r\n <td>Official dinner at Fougaro ArtCenter<\/td>\r\n <\/tr>\r\n <\/table>\r\n <\/div>\r\n <\/div>\r\n <div id=\"oct12\" class=\"tab-content\">\r\n <h2>October 12 (Saturday)<\/h2>\r\n <p><\/p>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Morning Workshops (09:00 – 12:00)<\/div>\r\n <table>\r\n <tr>\r\n <th>Workshop Title<\/th>\r\n <th>Time<\/th>\r\n <th>Location<\/th>\r\n <\/tr>\r\n <tr>\r\n <td>Performing Personality in Game Characters and Digital Narratives<\/td>\r\n <td>09:00 \u2013 12:00<\/td>\r\n <td>Vouleftiko – First Parliament of Greece: Staikopoulou, Syntagma Square, Nafplio 211 00\r\n <\/td>\r\n <\/tr>\r\n <tr>\r\n <td>From Play to Display: Reimagining Video Games Curation and Exhibition<\/td>\r\n <td>09:00 \u2013 12:00<\/td>\r\n <td>National Gallery Annex: Sidiras Merarchias 23, Nafplio 211 00<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Video Games in STEAM and as STEAM: Learning and Innovating Through Play<\/td>\r\n <td>09:00 \u2013 12:00<\/td>\r\n <td>UoP: King Constantine 21 & Terzaki (First Floor), Nafplio 211 00<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Art Games and Game-Based Art: Theoretical Frontiers and Critical Explorations<\/td>\r\n <td>09:00 \u2013 12:00<\/td>\r\n <td>Childhood Museum “Stathmos”: Vas. Konstantinou 31, Nafplio 211 00<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>How Applicable Is the Folk Concept for Critical Studies of Games, Play, and Game Design? A Collective Attempt to Make Sense of a Complex Field<\/td>\r\n <td>09:00 \u2013 12:00<\/td>\r\n <td>Basil Papantoniou Foundation (BPF): V. Alexandrou 1, Nafplio 211 00<\/td>\r\n <\/tr>\r\n <\/table>\r\n <\/div>\r\n <p> <\/p>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Lunch Break (12:00 – 13:00)<\/div>\r\n <\/div>\r\n <p> <\/p>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Afternoon Sessions (13:00 \u2013 17:00)<\/div>\r\n <table>\r\n <tr>\r\n <th>Workshop Title<\/th>\r\n <th>Time<\/th>\r\n <th>Location<\/th>\r\n <\/tr>\r\n <tr>\r\n <td>Biopolitical Reimagining of Games: Understanding, Identifying, and Interpreting Game Biopolitics <\/td>\r\n <td>13:00 – 16:00<\/td>\r\n <td>Basil Papantoniou Foundation (BPF): V. Alexandrou 1, Nafplio 211 00<\/td>\r\n <\/tr>\r\n <\/table>\r\n <\/div>\r\n <p><\/p>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Doctoral Consortium<\/div>\r\n <table>\r\n <tr>\r\n <th>Session<\/th>\r\n <th>Time<\/th>\r\n <th>Location<\/th>\r\n <\/tr>\r\n <tr>\r\n <td>Doctoral Consortium – Part I<\/td>\r\n <td>13:00 – 14:30<\/td>\r\n <td rowspan=\"3\">Vouleftiko – First Parliament of Greece: Staikopoulou, Nafplio 211 00,\r\n Syntagma Square<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Coffee Break<\/td>\r\n <td>14:30 – 15:00<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Doctoral Consortium – Part II<\/td>\r\n <td>15:00 – 17:00<\/td>\r\n <\/tr>\r\n <\/table>\r\n <\/div>\r\n\r\n\r\n\r\n<script>\r\n function showTab(tabId) {\r\n const tabs = document.querySelectorAll('.tab-content');\r\n tabs.forEach(tab => {\r\n tab.style.display = 'none';\r\n });\r\n document.getElementById(tabId).style.display = 'block';\r\n const tabElements = document.querySelectorAll('.tab');\r\n tabElements.forEach(tab => {\r\n tab.classList.remove('active');\r\n });\r\n const activeTab = document.querySelector(`.tab:contains(${tabId})`);\r\n if (activeTab) {\r\n activeTab.classList.add('active');\r\n }\r\n }\r\n document.addEventListener('DOMContentLoaded', () => showTab('oct10'));\r\n<\/script>\r\n\r\n<\/body>\r\n<\/html>\r\n","protected":false},"excerpt":{"rendered":"<p>CEEGS 2024 Program CEEGS 2024 Program CEEGS2024 isn\u2019t just about the event\u2014it\u2019s your chance to dive into the city\u2019s vibe, meet the locals, and soak up some history. The suggestions will be totally optional, but guaranteed to add a little extra fun to your adventure! \ud83c\udfae Download Program (PDF) October 10 October 11 October 12 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"folder":[],"class_list":["post-7748","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ceegs2024.uop.gr\/ceegs2024\/wp-json\/wp\/v2\/pages\/7748","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ceegs2024.uop.gr\/ceegs2024\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ceegs2024.uop.gr\/ceegs2024\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ceegs2024.uop.gr\/ceegs2024\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ceegs2024.uop.gr\/ceegs2024\/wp-json\/wp\/v2\/comments?post=7748"}],"version-history":[{"count":173,"href":"https:\/\/ceegs2024.uop.gr\/ceegs2024\/wp-json\/wp\/v2\/pages\/7748\/revisions"}],"predecessor-version":[{"id":8164,"href":"https:\/\/ceegs2024.uop.gr\/ceegs2024\/wp-json\/wp\/v2\/pages\/7748\/revisions\/8164"}],"wp:attachment":[{"href":"https:\/\/ceegs2024.uop.gr\/ceegs2024\/wp-json\/wp\/v2\/media?parent=7748"}],"wp:term":[{"taxonomy":"folder","embeddable":true,"href":"https:\/\/ceegs2024.uop.gr\/ceegs2024\/wp-json\/wp\/v2\/folder?post=7748"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}

{"id":7748,"date":"2024-07-23T09:32:25","date_gmt":"2024-07-23T09:32:25","guid":{"rendered":"https:\/\/ceegs2024.uop.gr\/ceegs2024\/?page_id=7748"},"modified":"2024-10-08T17:08:15","modified_gmt":"2024-10-08T17:08:15","slug":"prel","status":"publish","type":"page","link":"https:\/\/ceegs2024.uop.gr\/ceegs2024\/prel\/","title":{"rendered":"Preliminary Program"},"content":{"rendered":"\r\n\r\n\r\n \r\n \r\n CEEGS 2024 Program<\/title>\r\n <style>\r\n body {\r\n background-color: #f4f4f4;\r\n color: #333;\r\n font-family: Arial, sans-serif;\r\n }\r\n h1 {\t\r\n text-align: center;\r\n font-size: 24px;\r\n margin-top: 20px;\r\n font-weight: bold;\r\n }\r\n .tabs {\r\n display: flex;\r\n justify-content: center;\r\n margin-bottom: 20px;\r\n border-bottom: 2px solid #ddd;\r\n }\r\n .tab {\r\n padding: 10px 20px;\r\n border: 1px solid #ddd;\r\n cursor: pointer;\r\n flex: 1;\r\n text-align: center;\r\n }\r\n .tab.active {\r\n \/\/background-color: #4CAF50;\r\n \/\/color: white;\r\n \/\/border-bottom: 2px solid #4CAF50;\r\n }\r\n .tab:hover {\r\n background-color: #ddd;\r\n }\r\n .tab-content {\r\n display: none;\r\n margin: 0 auto;\r\n width: 90%;\r\n }\r\n table {\r\n width: 100%;\r\n border-collapse: collapse;\r\n margin-bottom: 20px;\r\n }\r\n th, td {\r\n padding: 10px;\r\n border: 1px solid #ddd;\r\n text-align: left;\r\n }\r\n th {\r\n background-color: #4CAF50;\r\n color: white;\r\n }\r\n tr:nth-child(even) {\r\n background-color: #f2f2f2;\r\n }\r\n tr:nth-child(odd) {\r\n background-color: #ffffff;\r\n }\r\n .session {\r\n margin-bottom: 20px;\r\n }\r\n .session-title {\r\n font-size: 18px;\r\n font-weight: bold;\r\n margin-bottom: 10px;\r\n }\r\n #program-note {\r\n font-size: 16px;\r\n text-align: center;\r\n margin-top: 20px;\r\n }\r\n #program-section {\r\n display: flex;\r\n flex-direction: column;\r\n align-items: center;\r\n margin: 20px auto;\r\n max-width: 600px;\r\n text-align: center;\r\n }\r\n #program-note {\r\n font-size: 16px;\r\n margin-bottom: 20px;\r\n }\r\n button {\r\n padding: 10px 20px;\r\n background-color: #8f5d76;\r\n color: white;\r\n font-size: 14px;\r\n border: none;\r\n border-radius: 10px;\r\n cursor: pointer;\r\n transition: transform 0.2s, box-shadow 0.2s;\r\n box-shadow: 0 4px 10px rgba(0, 0, 0, 0.2);\r\n }\r\n button:hover {\r\n transform: scale(1.05);\r\n box-shadow: 0 6px 15px rgba(0, 0, 0, 0.3);\r\n }\r\n <\/style>\r\n<\/head>\r\n<body>\r\n\r\n<h1>CEEGS 2024 Program<\/h1>\r\n\r\n <div id=\"program-section\">\r\n <p id=\"program-note\">CEEGS2024 isn\u2019t just about the event\u2014it\u2019s your chance to dive into the city\u2019s vibe, meet the locals, and soak up some history. The suggestions will be totally optional, but guaranteed to add a little extra fun to your adventure!<\/p>\r\n \r\n <a href=\"https:\/\/ceegs2024.uop.gr\/ceegs2024\/wp-content\/uploads\/2024\/10\/CEEGSprogramWeb.pdf\" target=\"_blank\" rel=\"noopener\">\r\n <button>\ud83c\udfae Download Program (PDF)<\/button>\r\n <\/a>\r\n <\/div>\r\n\r\n\r\n <div class=\"tabs\">\r\n <div class=\"tab active\" onclick=\"showTab('oct10')\">October 10<\/div>\r\n <div class=\"tab\" onclick=\"showTab('oct11')\">October 11<\/div>\r\n <div class=\"tab\" onclick=\"showTab('oct12')\">October 12<\/div>\r\n <\/div>\r\n <div id=\"oct10\" class=\"tab-content\">\r\n <h2>October 10 (Thursday)<\/h2>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Schedule<\/div>\r\n <table>\r\n <tr>\r\n <td>09:00 – 09:30 Registration<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>09:30 – 10:00 Welcoming Remarks<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>10:00 – 11:00 Keynote by Danielle Brathwaite-Shirley: We Can Only Do This Together<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>11:00 – 11:30 Coffee Break<\/td>\r\n <\/tr>\r\n <\/table>\r\n <\/div>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Session 1 (11:30 – 13:00)<\/div>\r\n <table>\r\n <tr>\r\n <th>Panel 1 (Games and Performance I)<br>Chair: Renard Gluzman<\/th>\r\n <th>Panel 2 (Games and Art)<br>Chair: Daniel Vella<\/th>\r\n <th>Panel 3 (Games in Broad Social Contexts)<br>Chair: Stanis\u0142aw Krawczyk<\/th>\r\n <\/tr>\r\n <tr>\r\n <td>Olli Tapio Leino<br>An Existential-Phenomenology of Gameplay (as) Performance<\/td>\r\n <td>Jaroslav \u0160velch<br>Making a Commercial Art Game in the 1980s: A Production History of Mel Croucher\u2019s Deus Ex Machina<\/td>\r\n <td>Rainforest Scully-Blaker<br>Games, Capitalism, and Fear<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Anastasios Theodoropoulos, Elina Roinioti, Panagiotis Papadopoulos, George Lepouras<br>Prometheus Unbound: Embodied Gaming in a VR Cave Environment<\/td>\r\n <td>Agata Zarzycka<br>The Art of Trash in Cyberpunk 2077<\/td>\r\n <td>Micha\u0142 K\u0142osi\u0144ski<br>Problematizing Positive Biopolitics in Digital Games<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Zs\u00f3fia Orosz-R\u00e9ti<br>Motherhood in Motion: Play, Performativity, and Aesthetics in Monument Valley 2<\/td>\r\n <td>Joanna Pigulak<br>Empowering Gamers with Hearing Disabilities: The Artistic and Immersive Potential of Accessibility Options<\/td>\r\n <td>Gabriela \u0160tvrt\u0148ov\u00e1, Filip Hauer<br>Non-Domination Power and Player Agency in Ecogames: Conceptualizing Democratic Agency<\/td>\r\n <\/tr>\r\n <\/table>\r\n <\/div>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Lunch Break (13:00 – 14:00)<\/div>\r\n <\/div>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Session 2 (14:00 – 16:00)<\/div>\r\n <table>\r\n <tr>\r\n <th>Panel 4 (Game Industries)<br>Chair: Jaroslav \u0160velch<\/th>\r\n <th>Panel 5 (Games and Performance II)<br>Chair: Pawe\u0142 Kaczmarski<\/th>\r\n <th>Panel 6 (Games and Play)<br>Chair: Nele Van de Mosselaer<\/th>\r\n <\/tr>\r\n <tr>\r\n <td>Jan Hou\u0161ka<br>Language Diversity in the Work of Foreigners in Czech Game Studios<\/td>\r\n <td>Romi Sofia Abatangelo<br>The Participant as Performing Audience<\/td>\r\n <td>Mikaela Simitzi, Angeliki Chrysanthi<br>An Immersive Playful \u201cCabinet of Curiosities\u201d<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>JJesper Juul, Emil Emil Lundedal Hammar<br>Forever in the Middle? A Study of the Danish Game\r\n Industry<\/td>\r\n <td>Alison J. Croasdale<br>Games and the Performance of Multi-Layered Identities<\/td>\r\n <td>Eleana Pandia<br>\u201cI Can See It in Their Eyes\u201d: Affective Design in Gameplay<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Agnieszka Kli\u015b-Brodowska<br>Reading Paratextuality: The Paratexts of Child of Light<\/td>\r\n <td>Chrissa Papasarantou, Charalampos Rizopoulos<br>Embodied Representations in Games<\/td>\r\n <td>Espen Aarseth<br>The Long Game: From Gamer Hermeneutics to Game Hermeneutics<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Micha\u0142 Mr\u00f3z<br>Exploring Immersion in Video Game Modding: On Modders\u2019 Strategies for Crafting Immersive Experiences<\/td>\r\n <td>Adrienne Domasin<br>Playfully Perilous: Permadeath Streams of \u201cThe Last of Us: Part II\u201d as a Dynamic Playground<\/td>\r\n <td>Ma\u0142gorzata Majkowska, Tomasz Z. Majkowski<br>Mnemosyne Learns To Play: Game Controllers as Rhapsodic Tools<\/td>\r\n <\/tr>\r\n <\/table>\r\n <\/div>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Coffee Break (16:00 – 16:30)<\/div>\r\n <\/div>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Session 3 (16:30 – 18:00)<\/div>\r\n <table>\r\n <tr>\r\n <th>Panel 7 (Esports and Streaming)<br>Chair: Katerina El Raheb<\/th>\r\n <th>Panel 8 (Game Spaces)<br>Chair: Charalampos Rizopoulos<\/th>\r\n <th>Panel 9 (Folklore and Heritage)<br>Chair: Holger P\u00f6tzsch<\/th>\r\n <\/tr>\r\n <tr>\r\n <td>Tom Legierse<br>Deconstructing the Idealized Body in Esports<\/td>\r\n <td>Krzysztof M. Maj<br>Navigating Allotopia, Exploring Ludotopia<\/td>\r\n <td>Aleksandra Prokopek<br>The Game of Art: Avant-Garde Reimagination of Chess<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Matilda St\u00e5hl, Usva Friman<br>Performing Esports at Women\u2019s Nordic CS 2 Championship Tournament 2023<\/td>\r\n <td>Agata Waszkiewicz<br>Video Game Graffiti, Civil Disobedience, and Player Agency<\/td>\r\n <td>Carol Ditner-Wilson<br>\u201cMaid of Sker\u201d and the Folklore of Wales<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Renard Gluzman<br>A Documentary Filmmaking Exploration of Players\u2019 Performative Culture<\/td>\r\n <td>Bruno de Paula<br>Easier, but Not as Fun: Abstractions in Skate Videogames<\/td>\r\n <td>Lucia Rago<br>Re-Mythologizing Pok\u00e9mon: The Case of Snorlax<\/td>\r\n <\/tr>\r\n <\/table>\r\n <\/div>\r\n <\/div>\r\n <div id=\"oct11\" class=\"tab-content\">\r\n <h2>October 11 (Friday)<\/h2>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Session 4 (09:00 – 11:00)<\/div>\r\n <table>\r\n <tr>\r\n <th>Panel 10 (Video Game History)<br>Chair: Iro Voulgari<\/th>\r\n <th>Panel 11 (Games and Theater)<br>Chair: Tomasz Majkowski<\/th>\r\n <th>Panel 12 (Gender and Gaming)<br>Chair: Agata Waszkiewicz<\/th>\r\n <\/tr>\r\n <tr>\r\n <td>Aristoteles Georgios Sakellariou, Georgios Papaioannou<br>Meeting Mona Lisas in Museums in Popular Videogames<\/td>\r\n <td>Pawe\u0142 Kaczmarski<br>Not as Open as It Seems: Or, Games against Theatricality<\/td>\r\n <td>Tereza Fousek Krobov\u00e1<br>No Game for Old (Wo)men: Playing Video Games as a Comfort Strategy for Female Older Adults in Czechia<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Jesper Juul<br>IT\u2019S NOT JUST A PLATFORM GAME, IT\u2019S AN ADVENTURE: The European Invention of the Action-Adventure Game 1983-1990<\/td>\r\n <td>Rebecca Rouse, Lars Kristensen<br>Playing across Stage and Screen: Interdisciplinary Contributions from Theater for Game Education<\/td>\r\n <td>Torill E Mortensen<br>Playing with Needles: Playful Participation in Online Communities<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Eryk Fro\u0144<br>Horror in Pixels: How Ugly Games Generate Fear<\/td>\r\n <td>Sarah Lynne Bowman<br>Simulating Passion: Design Strategies for Intimate Relationships in Romantic Larps<\/td>\r\n <td>Kalle Laakso, Riikka Aurava<br>The Influence of Game Live Streaming in the Game Culture Participation of Girls<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Mateusz Felczak<br>Aesthetics of Automation: \u201cHalls of Torment\u201d and Bullet Heaven Games<\/td>\r\n <td>Yu Hao<br>Performing the Mundane: Theatrical Dimensions of Everyday Life in \u201cThe Sims 4\u201d<\/td>\r\n <td>Yihang Yan, Felania Liu, Espen Aarseth<br>Players Against Academia: Identity Politics and Media Power in Chinese Gaming Discourse on Social Platforms<\/td>\r\n <\/tr>\r\n <\/table>\r\n <\/div>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Coffee Break (11:00 – 11:30)<\/div>\r\n <\/div>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Keynote (11:30 – 12:30)<\/div>\r\n <table>\r\n <tr>\r\n <td>Keynote by Jonas Kyratzes: Taking the Idea of Games as Art Seriously.<\/td>\r\n <\/tr>\r\n <\/table>\r\n <\/div>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Lunch Break (12:30 – 13:30)<\/div>\r\n <\/div>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Session 5 (13:30 – 15:30)<\/div>\r\n <table>\r\n <tr>\r\n <th>Panel 13 (Roleplaying Games)<br>Chair: Kristian A. Bj\u00f8rkelo<\/th>\r\n <th>Panel 14 (Game Adaptations and Remediations)<br>Chair: Magdalena Kozyra<\/th>\r\n <th>Panel 15 (Approaches to Game Design)<br>Chair: Anastasios Theodoropoulos<\/th>\r\n <\/tr>\r\n <tr>\r\n <td>Kjell Hedgard Hugaas, Sarah Lynne Bowman<br>Envisioning Role-playing Games as Vehicles for Galvanizing Conflict Transformation<\/td>\r\n <td>Aleksandra Kl\u0119czar<br>Looks Greek to Me (or Does It?): The Imagery of Mythology-Centred Games and Ancient Greek art<\/td>\r\n <td>Charis Kotsiopoulos, Christos Tryfonopoulos<br>DinoAI: An Interactive Self-Playing Retro Game\/Display for Exploring Machine Learning Concepts<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Leonid Moyzhes<br>Are We Monsters? Comparison of Representation of Monstrosity between \u201cVampire the Masquerade\u201d Fourth and Fifth Editions<\/td>\r\n <td>Vit \u0160isler<br>Reimagining Kafka’s Worlds Through the Interactive Lens: The Design Process and Challenges of Playing Kafka<\/td>\r\n <td>Alison J. Croasdale, Bruno de Paula<br>Expressive Design: Exploring Creative Process and Critical Thought in Non-Professional Game Making<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Micha\u0142 Mochocki<br>Polish Romanticism Revisited in \u201cEpopeja\u201d: From Literary Classics to Tabletop RPG<\/td>\r\n <td>Krzysztof Olszamowski<br>Herald of Hyperrealism: Remediation and Spaces of Metagames in \u201cAlan Wake 2\u201d<\/td>\r\n <td>Essi Taino, Kalle Laakso, Taina My\u00f6h\u00e4nen<br>Digital Game Culture Sustainability and Inclusivity through Co-Design<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Daniel Vella, Justyna Janik<br>Textures of Dwelling and Cozy Enclaves: The Camp in \u201cBaldur\u2019s Gate III\u201d as Site of Control and Pleasure<\/td>\r\n <td>Aleksandra Mochocka, Rados\u0142aw Piotr Walczak<br>Video game adaptation strategies as interpretation: \u201cSnufkin: Melody of Moominvalley\u201d (Hyper Games, 2024)<\/td>\r\n <td>Taina My\u00f6h\u00e4nen<br>From Toxic to Ethic: DEI Activism in the Game Industry<\/td>\r\n <\/tr>\r\n <\/table>\r\n <\/div>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Coffee Break (15:30 – 16:00)<\/div>\r\n <\/div>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Session 6 (16:00 – 18:00)<\/div>\r\n <table>\r\n <tr>\r\n <th>Panel 16 (Non-Typical Gameplay)<br>Chair: Jesper Juul<\/th>\r\n <th>Panel 17 (Video Game Interpretations)<br>Chair: Zs\u00f3fia Orosz-R\u00e9ti<\/th>\r\n <th>Panel 18 (Advertising, Marketing, and Money)<br>Chair: Agata Waszkiewicz<\/th>\r\n <\/tr>\r\n <tr>\r\n <td>Nele Van de Mosselaer<br>The Art of Cheesing<\/td>\r\n <td>Mark Maletska<br>Playing with Society, Identity and Trauma: Video Games by etherane<\/td>\r\n <td>Kati Alha<br>How Mobile Game Advertising Landscape Became So Horrible \u2013 and What Is Being Done with It<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Magdalena Kozyra, Tomasz Z. Majkowski, Aleksandra Prokopek<br>Not Everything Everywhere is for Gamers: \u201cThe Invincible\u201d and the Art of Failure<\/td>\r\n <td>Robin O. Longobardi Zingarelli<br>Bio-Determined Immateriality: Trans Bodies in Mainstream Video Games<\/td>\r\n <td>Leon Y. Xiao<br>Illegal Loot Box Advertising on Social Media: An Empirical Study Using the Meta and TikTok ad Transparency Repositories<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Zach Cohen<br>Efficient Machines of Anti-Profit: Going Against the Flow with \u201cThe Games Inscryption\u201d and \u201cTo Build a Better Mousetrap\u201d<\/td>\r\n <td>Ond\u0159ej Trho\u0148<br>\u201cArmored Core VI\u201d as an Allegory of (Cybernetic) Embodiment<\/td>\r\n <td>Magdalena Bednorz<br>P(l)ay for Love: Strategies of Capitalizing on Romance Literacy in PlayMe Studio\u2019s \u201cMeChat\u201d<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Dom Ford<br>What Went wrong with \u201cCities: Skylines II\u201d, according to Players: A Qualitative Analysis of Player Perceptions of a Poor Digital Game Launch<\/td>\r\n <td>Daniel Vella<br>Playing the Angry Alien: Orientation and Ludic Subjectivity in \u201cBaldurs Gate III\u201d<\/td>\r\n <td><\/td>\r\n <\/tr>\r\n <\/table>\r\n <\/div>\r\n <div class=\"session\">\r\n <div class=\"session-title\">CEEGS Round Table (18:00 – 18:45)<\/div>\r\n <\/div>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Official Dinner (20:00)<\/div>\r\n <table>\r\n <tr>\r\n <td>Official dinner at Fougaro ArtCenter<\/td>\r\n <\/tr>\r\n <\/table>\r\n <\/div>\r\n <\/div>\r\n <div id=\"oct12\" class=\"tab-content\">\r\n <h2>October 12 (Saturday)<\/h2>\r\n <p><\/p>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Morning Workshops (09:00 – 12:00)<\/div>\r\n <table>\r\n <tr>\r\n <th>Workshop Title<\/th>\r\n <th>Time<\/th>\r\n <th>Location<\/th>\r\n <\/tr>\r\n <tr>\r\n <td>Performing Personality in Game Characters and Digital Narratives<\/td>\r\n <td>09:00 \u2013 12:00<\/td>\r\n <td>Vouleftiko – First Parliament of Greece: Staikopoulou, Syntagma Square, Nafplio 211 00\r\n <\/td>\r\n <\/tr>\r\n <tr>\r\n <td>From Play to Display: Reimagining Video Games Curation and Exhibition<\/td>\r\n <td>09:00 \u2013 12:00<\/td>\r\n <td>National Gallery Annex: Sidiras Merarchias 23, Nafplio 211 00<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Video Games in STEAM and as STEAM: Learning and Innovating Through Play<\/td>\r\n <td>09:00 \u2013 12:00<\/td>\r\n <td>UoP: King Constantine 21 & Terzaki (First Floor), Nafplio 211 00<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Art Games and Game-Based Art: Theoretical Frontiers and Critical Explorations<\/td>\r\n <td>09:00 \u2013 12:00<\/td>\r\n <td>Childhood Museum “Stathmos”: Vas. Konstantinou 31, Nafplio 211 00<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>How Applicable Is the Folk Concept for Critical Studies of Games, Play, and Game Design? A Collective Attempt to Make Sense of a Complex Field<\/td>\r\n <td>09:00 \u2013 12:00<\/td>\r\n <td>Basil Papantoniou Foundation (BPF): V. Alexandrou 1, Nafplio 211 00<\/td>\r\n <\/tr>\r\n <\/table>\r\n <\/div>\r\n <p> <\/p>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Lunch Break (12:00 – 13:00)<\/div>\r\n <\/div>\r\n <p> <\/p>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Afternoon Sessions (13:00 \u2013 17:00)<\/div>\r\n <table>\r\n <tr>\r\n <th>Workshop Title<\/th>\r\n <th>Time<\/th>\r\n <th>Location<\/th>\r\n <\/tr>\r\n <tr>\r\n <td>Biopolitical Reimagining of Games: Understanding, Identifying, and Interpreting Game Biopolitics <\/td>\r\n <td>13:00 – 16:00<\/td>\r\n <td>Basil Papantoniou Foundation (BPF): V. Alexandrou 1, Nafplio 211 00<\/td>\r\n <\/tr>\r\n <\/table>\r\n <\/div>\r\n <p><\/p>\r\n <div class=\"session\">\r\n <div class=\"session-title\">Doctoral Consortium<\/div>\r\n <table>\r\n <tr>\r\n <th>Session<\/th>\r\n <th>Time<\/th>\r\n <th>Location<\/th>\r\n <\/tr>\r\n <tr>\r\n <td>Doctoral Consortium – Part I<\/td>\r\n <td>13:00 – 14:30<\/td>\r\n <td rowspan=\"3\">Vouleftiko – First Parliament of Greece: Staikopoulou, Nafplio 211 00,\r\n Syntagma Square<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Coffee Break<\/td>\r\n <td>14:30 – 15:00<\/td>\r\n <\/tr>\r\n <tr>\r\n <td>Doctoral Consortium – Part II<\/td>\r\n <td>15:00 – 17:00<\/td>\r\n <\/tr>\r\n <\/table>\r\n <\/div>\r\n\r\n\r\n\r\n<script>\r\n function showTab(tabId) {\r\n const tabs = document.querySelectorAll('.tab-content');\r\n tabs.forEach(tab => {\r\n tab.style.display = 'none';\r\n });\r\n document.getElementById(tabId).style.display = 'block';\r\n const tabElements = document.querySelectorAll('.tab');\r\n tabElements.forEach(tab => {\r\n tab.classList.remove('active');\r\n });\r\n const activeTab = document.querySelector(`.tab:contains(${tabId})`);\r\n if (activeTab) {\r\n activeTab.classList.add('active');\r\n }\r\n }\r\n document.addEventListener('DOMContentLoaded', () => showTab('oct10'));\r\n<\/script>\r\n\r\n<\/body>\r\n<\/html>\r\n","protected":false},"excerpt":{"rendered":"<p>CEEGS 2024 Program CEEGS 2024 Program CEEGS2024 isn\u2019t just about the event\u2014it\u2019s your chance to dive into the city\u2019s vibe, meet the locals, and soak up some history. The suggestions will be totally optional, but guaranteed to add a little extra fun to your adventure! \ud83c\udfae Download Program (PDF) October 10 October 11 October 12 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"folder":[],"class_list":["post-7748","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ceegs2024.uop.gr\/ceegs2024\/wp-json\/wp\/v2\/pages\/7748","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ceegs2024.uop.gr\/ceegs2024\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ceegs2024.uop.gr\/ceegs2024\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ceegs2024.uop.gr\/ceegs2024\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ceegs2024.uop.gr\/ceegs2024\/wp-json\/wp\/v2\/comments?post=7748"}],"version-history":[{"count":173,"href":"https:\/\/ceegs2024.uop.gr\/ceegs2024\/wp-json\/wp\/v2\/pages\/7748\/revisions"}],"predecessor-version":[{"id":8164,"href":"https:\/\/ceegs2024.uop.gr\/ceegs2024\/wp-json\/wp\/v2\/pages\/7748\/revisions\/8164"}],"wp:attachment":[{"href":"https:\/\/ceegs2024.uop.gr\/ceegs2024\/wp-json\/wp\/v2\/media?parent=7748"}],"wp:term":[{"taxonomy":"folder","embeddable":true,"href":"https:\/\/ceegs2024.uop.gr\/ceegs2024\/wp-json\/wp\/v2\/folder?post=7748"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}